THE CONDUIT COMPOSER

Wednesday, 14 November 2012

More BliPS

Heavens to Betsy!

Even more blips today in the studio .. I was all for tearing my hair out and could feel my teeth grinding but have decided that's not a good look! All things are for a reason. So, I decided to walk away from it and do something else to calm down; Edited some beautiful messages from a group of Young Mums for their babies with them strumming on the ukulele. Then went back to the films to see why they wouldn't play right on the Telly. It was a dodgey DVD. Also cleaned the heads of the DVD player just incase.
 
My worse nightmare is the films blipping at the Exhibitions in January and Feb during the Tour, so I am defo going to find a Boffin to give me some advice!
 
As fortune would have it, I am doing the last filming on December 4th with a very lovely film-type-computer-y boffin! Will tell you all about it in my next blog!

 



Technical BliPS!



Another day in the studio ... today I'm proofing the edits and horror of horrors!!! Got a nasty blip right at the end of the
sound track NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!

Am deep breathing and trying to be philosophical about it! There's plenty of time to sort it but I was so overjoyed to finally have completed something in total. Back to the drawing board to find out what went wrong. It was fine in the studio just when I played it on the TV. Reckon it could be something simple like a dirty head or a faulty CD (fingers crossed)

So, like a true professional, I'm going to sort this the only way I know how ...  grit my teeth, put the kettle on and have some sweets!

Sunday, 11 November 2012

Studio Lock in








Well, having spent since March writing, composing, filming, directing and making, these last few weeks have been more focussed on producing and this weekend I have chained myself and the engineer to the studio for a 48 lock in to get to grips with the films and the soundtracks with narration, linking all the pieces into a whole.
 














Easier said than done, let me tell ya!
 
Thing is, in my head, I see things as a whole; I can see the completeness. The difficult thing is translating that. I almost feel as if I could do with a USB on my forehead to download the WHOLE of The Dragon Tree in one go, but instead, I have to marry together all the pieces so that it doesn't look like a patchwork quilt, but flows as one piece.
 
As a songwriter, traditionally I have recorded individual tracks and put them together as albums but I want to fuse the songs, to give a concept feel; the concept being the West Wales coastline and the story that has grown from it during my journey, using old folk stories, legends and tales, coupled with people's expectations of today and their aspirations for the future.
 
I have now consulted with over 650 people throughout the writing process and it's important to me that I encapsulate the human element into the piece as a whole, because for me, the coastline is as much about culture as it is about beautiful landscape; we are part of that landscape.
 



So, why do I want to do a concept piece? Basically, I'm fulfilling a childhood dream of mine. I grew up in the 70's, being born in the 60's, and my favourite times were those spent dancing to Peter and the Wolf in Juniors, or interpeting War of Worlds in Senior School!
 
Actually, it goes back much further than that.
 
I remember being about 4 or 5 years old and catching a glimpse of an animated series called The Point. It was about a boy called Oblio who had a round head. He was cast out of his village by all the triangle headed people. He had a dog a called Arrow and I remember recording the track about the dog with my mum from the radio onto our reel to reel tape recorder, as part of the Top 40 run down on a Sunday. It was called :
Me and my Shadow written by Harry Nilson who also wrote the whole story.
 
 
<>

Here's The first clip of that film The Point from the 70's. I managed to find it on Youtube and have just realised it's narrated by Ringo Star! This is years before Thomas the Tank! lol! And, the little boys voice is that of Bobby Brady from The Brady Bunch! Well I never!
 
 
 
 
 
 
 
Anyway, I digress ... So this childhood introduction to concept story and song  is my inspiration.
 
I also wanted to do a concept piece because I thought it would be a way of me encapsulating everything that I do.
 
I make films, I write songs, I direct, I sing, I am a musician, I write children's books, I write poetry, I produce, I edit ... I make things! I have quirky out there ideas and make them so ...
 
I also LOVE to challenge myself and this really has been a personal challenge creatively mostly due to my technical limitations which I will definitely address before the next production ... do you see what I wrote there!
 
Yes, I almost dare to say it out loud! the next production .. because I am so at one with myself in this process that I can't see me wanting to stop at the end of the funding year!
 
 
 
The view from my Studio Window
 
 
PS. Spooky Coincidence?! 
Although written by Harry Nilson, The Point was co-written by Carol Beers ... now then, I don't know about you, but I find that a bit spooky given that my name is Cheryl Beer! (Can hear the theme music to Tales of the Unexpected in my head running right now!)
 
 
 
 

Thursday, 1 November 2012

A peek at the film scape!




The wonderful Bob Edwards somehow got left out of the photo's on the day!!
So here is a little clip that not only gives you a glimpse of what we got up to, but proves he was there!